In fashion, the 1960's began with crew cuts on men and bouffant hairstyles on women. Men's casual shirts were often plaid and buttoned down the front, while knee-length dresses were required wear for women in most public places. By mid-decade though, miniskirts or hot pants, often worn with go-go boots, were revealing legsl bodywear was revealing curves, and women's hair was either very short or long and lanky. Men's hair became longer and wider along with beards and moustaches. Menswear too had a much needed renaissance; bright colors, double-breasted sports jackets, polyester pants suits with Nehru jackets, and turtlenecks were in vogue.
By 1964 the teenage influence caused the hemlines to creep up, and most teenagers were wearing mid-thigh length shifts as daywear. The sweater-dress was also very popular with young girls from 1961 onwards, until the mid-60s when other innovative designs were introduced. 1965 saw the premiere of culotte dresses in op-art or vibrant coloured patters (think Peter Max or Pucci) and these were most popular as evening or party wear; culottes had the freedom of trousers but the look of a full skirt. 1966’s dress was the tent, or "baby doll dress", sometimes in transparent chiffon, worn over a contrasting slip, and often sewn-in.
1966 was the year of the mini-skirt! Widely acknowledged as the brainchild of designer Mary Quant, within a year anybody who had the body to pull it off was wearing a mini, many of whose hemlines were 4-5 inches above the knee in New York and 7-8 inches above the knee in London! Throughout this time skirts were often paired with a matching sweater and matching set of tights for a uniform look. 1965 and 66 also saw the mini-coat, perfectly straight and virtually shapeless; also the pop-inspired dyed furs and PVC designs. By 1967 capes were popular, and were often made with matching deerstalker hats.
In the fall 1967 collections, the paper dress made its debut. Made of paper blended with nylon or other cellulose material, it was intended for everyday wear but was only ever widely used as holiday or lounge wear, due to its tendency to crease and also its, er, flammability.
In ladies' tops or blouses, from 1960 onwards the turtleneck, or polo neck, sweater was common, especially under a collarless jacket, and in 1966 Aran sweaters, with their thick knit, became trendy. Sleeve length was usually ? length, with long sleeves often pushed partway up the arms for a ? look (think Jackie O style suits and jackets). Sleeveless tops did not become popular until the mid 1960s.
By the end of the decade, men's ties, when worn, were up to 5" wide; most were patterned even when worn with stripes. Women wore peasant skirts or granny dresses and chunky shoes. Unisex dressing was very popular, featuring the bell bottomed jeans, love beads, and embellished t-shirts. Clothing was as likely to be purchased at surplus stores as boutiques. Blacks of both genders wore their hair in an afro; whites of both genders wore their hair either big and frizzy or long and straight.
Men's Clothing
There was a renaissance in the refinement of men’s fashion during the early 1960s as it was influenced by Italian designers. Men’s suits became more tight fitting. Formal leisure suits and single breasted suits with short tailored jackets and narrow lapels worn with narrow collared shirts and thin ties became popular. The mods proved that men could care about the clothes they wore. This attitude allowed changes in men’s fashion as the decade progressed.
Narrow pants were worn by the fashionable young with 'winkle picker' shoes. Longer hair replaced the crew-cut, but it was still slicked back with oil and gel. Facial hair became more respectable and sideburns became popular. Custom made tailoring remained a tradition for men. Chelsea boots became fashionable.
In the late 60's men's dress became more fancy and feminine. Men grew their hair, wore wide polka dotted ties, paisley flouncy shirts in fluorescent colours and bell-bottomed velvet pants. The 'peacock' style of dressing became popular with men. Men dressed up as a form of self-expression or to attract women. Fashion designers strengthened their colours and made tight fitting trousers for men in bright and bold, purple and orange, flower prints on velvet fabric combinations. Jewellery collections were launched for men.
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